An analysis of housing and burial rites in ancient roman civilization
Inside the burial were two skeletons — one of a woman aged about 25, and the other of a young child. In front is a terrace solariumand in the rear two pools piscinae connected with the area by a little canal, while at the back is a thicket of shrubbery harundinetum.
Roman funerary art
From the way in which her bones were arranged, it is clear the child was placed in the tomb sometime after the mother had been buried. The expenses of maintenance were probably paid from the weekly dues of the members, as were the funeral benefits. This type of lid gained popularity in the later second century, and was produced in all three production centers for very lavish sarcophagi. The later Roman layers, however, containing graves from the third and fourth centuries A. After Christianity was embraced by the Roman Empire some of these catacombs became quite elaborate. DNA tests revealed that 74 percent of the victims were male. Painted portraits of the deceased were made on shrouds wrapped around the mummy wrappings. Made of large limestone blocks. Some scholars think the images are highly symbolic of Roman religious beliefs and conceptions about death and the afterlife, while others argue that the images reflect a love of classical culture and served to elevate the status of the deceased, or that they were simply conventional motifs without deeper significance. Even if questions surrounding this discovery abound, one thing is certain. It was then burned, and the ashes and remaining fragments of bones and teeth were interned in a funerary urn. Some more elaborate monuments depict the deceased, either in his parade regalia  or in civilian dress to emphasize his citizenship.
The Tomb of Eurysaces the Baker is a famous and originally very ostentatious tomb in a prime spot just outside the Porta Maggioreerected for a rich freedman baker around BC. Thus, there was a sense that the psychic impression of the deceased still lingered around friends and family, and the spirit would become angered if anything negative was said about it.
Such evolution was mirrored also in the construction and architecture of the tombs themselves, as it has been mentioned above. The niches were either numbered consecutively throughout or their position was fixed by the number of the ordo and gradus in which they were situated.
Particularly in the 2nd—4th centuries, these were often decorated with reliefs that became an important vehicle for Late Roman sculpture. Mnay of the tombs have been ravaged by looters.
The lids are mostly the gabled-roof type with ornamental akroteria.
An altar or shrine is often found, at which offerings were made to the manes of the departed. The expenses of maintenance were probably paid from the weekly dues of the members, as were the funeral benefits.
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